Native Art Gallery
False Face
False Face
Artist: Todd Longboat
Community: Six Nations Confederacy
Medium: Soapstone
Dimensions (in): W3.5 x H 4.5 x D2.0
Reference: 105660
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The Iroquois False Face Healing Mask is perhaps the most distinguished in design.
The False Face depicted on many of the carvings are of Guardians and used as Good Medicine for the Iroquois People. There are many different styles of faces: Blower, Spoon Mouth, Whistler, Protruding Tongue, Drooping Mouth, but the most common is the Broken Nose who is the Grandfather Mask. The masks are very sacred and important to the Iroquois People. They are not to be made fun of or belittled in any way. The Iroquois believe they are of the Supernatural and deserve the utmost respect in every sense.
According to legend, the False Face Mask is said to be a doorkeeper or guard, preventing any evil or unwanted spirits from entering or disturbing the healing ceremony. These False Faces are all made to be ugly so that they scare away evil spirits and protect its keeper from evil.
The False Face is also seen as a healer, curing and preventing sickness.
Carved on the Six Nations Confederacy of the Grand, proudly made in Canada.




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Todd Longboat

Todd Longboat, born in 1978 on the Six Nations Reserve in Ontario, Canada, is a highly regarded Indigenous artist known for his soapstone carvings. A member of the Wolf Clan of the Onondaga Nation, Longboat began his artistic journey at the age of 11, learning by observing his parents and older brother, both of whom were carvers. His work is deeply influenced by his cultural heritage, often depicting animals like wolves and eagles, which hold significant meaning within the clan systems of the Six Nations. His grandfather, Chief Jacob Thomas, was also a notable carver, further enriching Todd’s artistic lineage.
As a self-taught artist, Longboat’s medium of choice is primarily Brazilian soapstone. His sculptures are renowned for their intricate detail and the way they embody the spirit of his people. Longboat’s works typically focus on symbols and figures central to his culture, such as the eagle, turtle, and wolf, reflecting his deep connection to his ancestry and the natural world.
Longboat’s art has been exhibited in various galleries, earning him recognition within and beyond Indigenous art communities. His pieces are celebrated not only for their craftsmanship but also for their role in preserving and promoting the cultural narratives of the Onondaga Nation. Today, Todd Longboat continues to be a prominent figure in the Indigenous art scene.